和严侍御柟木诗

两苍崖屹相应对,上面虬龙插崖背。
青铜为柯石为根,上有虫书篆籀破藓痕。
诘屈盘根少态度,深锁穷山烟雨暮。
不愿作材戹万牛,惊世之文那肯露。
人不满百雪满头,一生忧患几许愁。
湛辈去逐翁仲游,此树森森春复秋。
杜陵笔墨光万丈,当时憾不同清赏。
独寄黄花九日诗,云间声作琳琅响。

作品评述

And Yan Governor Nanmu's Poem by Yang Yuzhong

Two towering cliffs stand in response,
With a coiling dragon carved on the top.
Bronze serves as the trunk, stone as the root,
Covered with ancient inscriptions and moss marks.
The twists and turns of the branches are few,
Deeply locked in the mist and rain of the remote mountains.
Unwilling to be used as materials to harm cattle,
The astonishing literature is not meant to be revealed.
People are not satisfied even after a hundred years,
A lifetime of worries and sorrows.
Zhanbei follows the old and middle-aged to wander,
This tree is lush in both spring and autumn.
The ink of Duling shines brightly and grandly,
Regretting not being able to appreciate it in its prime.
A solitary poem sent on the 9th day of the yellow flowers,
The sound reverberates among the clouds.

Translation:

This poem, titled "And Yan Governor Nanmu's Poem" by Yang Yuzhong, depicts a majestic scene of two towering cliffs facing each other. On the top of the cliffs, there is a coiling dragon carved into the rock. The trunk of the tree is made of bronze, with the roots made of stone. The tree is covered in ancient inscriptions and moss marks. The branches are intricately twined and lack straightness, deeply hidden in the mist and rain of the remote mountains. The poet expresses his unwillingness to have his literary talent be used for trivial matters, as his astonishing writings are not meant to be revealed casually. He reflects on the transience of life, with people never being satisfied and enduring a lifetime of worries and sorrows. The poet envies those who can freely wander and explore, lamenting that he could not fully appreciate the grandeur of Duling's ink in its prime. The final couplet refers to a poem sent on the 9th day of the yellow flowers, indicating that the poet's words, like the sound of a harp, echo among the clouds.

This poem showcases the poet's admiration for the natural wonders and his yearning for artistic excellence. The majestic image of the cliffs and the symbolism of the dragon and the ancient inscriptions represent the enduring beauty and wisdom of nature. The poet's lament over not being able to fully express his literary talents adds a touch of melancholy to the poem, reflecting the common human experience of unfulfilled potential. Overall, the poem inspires awe and contemplation of the grandeur of nature and the fleetingness of human accomplishments.

诗词推荐

地僻车马稀,柴门不须扃。晨正衣冠,浣手供炉馨。奈和此永何,间课离骚经。一片兰茝心,千古日月明。尔岂乏忠愤,所欠惟和平。要之仕与止,奚必分重轻。吾但适吾可,不愿得尔名。

何事陶彭泽,明时又挂冠。为耽泉石趣,不惮薜萝寒。轻雪笼纱帽,孤猿傍醮坛。悬悬老松下,金灶夜烧丹。

白发短欲尽,人嗤心尚孩。埋盆池潋灩,累瓦塔崔嵬。软饭三舂米,醇醪九酝醅。忽然拈笔起,记著早梅开。

流而不返名曰情,湛而不摇名曰性。灵而不昏名曰神,光而不乱名曰明。迷此四者为之凡,悟此四者为之圣。

云门道价倾缁白,一去如何经书尺。乾竺宗旨超隐峰,客至不鸣斋后钟。杨岐儿孙真铁脊,二子等是僧中龙。平生我如拆韈线,老来要认本来面。忆昨二老初相知,竹炉拥衲清夜围。佛眼霜颅象懒瓒,圜悟辨口吞韩非。钟山往事无人识,我认二子因师得。楞伽一句作麽生,请问同参俱本色。

昨日山有信,只今耕种时。遥传杜陵叟,怪我还山迟。独向潭上酌,无人林下期。东谿忆汝处,闲卧对鸬鹚。

秋苗五月未入土,行人欲行心更苦。路逢田翁有好语,竞说宿来三尺雨。行人虽去亦伸眉,翁皆好住莫相思。流渠汤汤声满野,今年醉饱鸡豚社。

峭拔几千仞,孤高无四邻。低回倾北斗,突兀起东闽。缔结青云上,登临沧海滨。溪山来面势,歌吹彻穹旻。子夜先看日,阴崖后得春。三韩空琐碎,万落自埃尘。使者风流在,诗人格调新。骊珠忽投我,神笔动惊人。平昔持州契,于今识路津。去天知不远,咫尺仰威神。

鹤林古竹院,马素旧松关。草合门前路,云埋寺后山。花神千载去,僧话片时闲。满壁瑰奇句,惭窥豹一斑。

山前田地谁为主,喜见灵苗战晚风。将谓年年求岁稔,由来岁岁愿年丰。

香气与人烟,纷纷侠少年。花过楼外看,灯出市中悬。若个春无怨,谁家夜可怜。可知爱惜月,趁未十分圆。

宋十一叶圣天子,有臣伊皋佐其理。鏖兵孽雏褫天戮,手把降幡屡摇尾。周宣功大心愈小,盈而持之甚持水。龙墀端笏拜疏言,有室大竞唯多士。苍蛟渊潜百鳞骇,乳兕林蹲樵牧止。臣举所知匪臣私,取之乡国大瑰伟。后皇曰嘻毋留行,奔雷将车电摇帜。先生捧诏色不动,在泰拔茅以其汇。

关河谢远游,岁月迫归休。敢恨骥伏枥,但思狐首丘。雪明窗误晓,霜点鬓惊秋。羁旅饶愁思,谁怜季子裘?

离夜闻横笛,可堪吹鹧鸪。雪冤知早晚,雨泣渡江湖。秋树吹黄叶,腊烟垂绿芜。虞翻归有日,莫便哭穷途。

凛凛庐陵一澹翁,飞扬复起振高风。周无二叔圣何别,商有三仁道则同。孤迹本如云出岫,清名应比日行空。翩翩雁影梅花外,雪片飞来酒对中。

近来山水画郭熙,江南独数休宁令。笔法精奇意态古,咫尺万里开天镜。岩头老树如老龙,隔湖喜见山重重。小桥依约野色远,茅庐隐映林影空。门前垒块石头路,荒苔野草青无数。往来不见车马尘,正似山翁旧居处。程伯休父司马孙,风流文彩垂青门。平生爱书入骨髓,尺素寸楮无不存。

积忧遂成阴,昏色遍苍莽。我醉忧已忘,天地当开朗。何以酒醒后,犹然在檐上。云是方春时,暗助草木长。凝阴而无阳,亦非善培养。岂因世道非,寰宇盈魍魉。日月不照临,星辰羞布象。每睹万类心,俱称上天广。移转亦何难,梦梦如抱怏。地底周雷声,骄鸟绝心想。四望如无余,举意

住处何曾远,林间别是凉。清风酣一枕,底许觅羲皇。

白马清秋出上京,勾陈光照亚夫营。中原天子亲提剑,南国楼船远募兵。消息只愁千里草,逋逃新恨九江城。汉家历数元无极,吴楚猖狂终自平。

牧牛上阳坡,角挂上下经。吴童歌且谣,皆趣皆混成。东西两山间,饱见日月更。归来松阴凉,夕阳满前庭。黄叶从风翻,萧飒草际鸣。再拜谢天公,赋此小人情。

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